picking funky figures throughout 'Ghetto Woman'. The 70s provided an evocative canvas for exaggerated gesture, strings and electric piano infusing the moody 'Chains & Things', B.B. Massed strings add drama to 'The Thrill Is Gone', 'Paying The Cost To Be The Boss' swaggers with crisp horn feints, 'Why I Sing The Blues' is a prime example of the extended funky vamp, these 60s cuts invariably swamped with eerie guitar reverb. The title's promise is fulfilled within this given time-period, but King's first 15 recording years are missing, as are examples of his very successful 90s work. Beginning with B.B.'s work for ABC in the mid-1960s (the label was later swallowed up by MCA), the compilation moves through B.B.'s cream-flared 70s output, then proceeds to sew up the 1980s. This two-disc set's jewel-case comes embossed with King's gold-inked signature, presumably a seal of approval for this bountiful summation of his MCA years.
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